50 Cent Tattoo

Born Curtis James Jackson III on July 6, 1975, and raised in Southside Jamaica, Queens, New York City, 50 Cent grew up in a broken property. His hustler mother passed away when he was only eight, and his father departed soon after, leaving his grandmother to parent him. As a teen, he followed the lead of his mother and began hustling. The crack trade proved lucrative for 50 Cent, till he eventually encountered the law, which is, and got arrested repeatedly in 1994. It is about this point in time that he traded crime for hip-hop. His break came in 1996 when he met Run-D.M.C.’s Jam Master Jay, who gave him a tape of beats and asked him to rap over it. Impressed by what he heard, Jay signed the aspiring rapper to his JMJ Records label. Not considerably resulted from the deal, though, and 50 Cent affiliated himself with Trackmasters, a commercially productive New York-based production duo identified for their function with such artists as Nas and Jay-Z. Trackmasters signed the rapper to their Columbia sublabel and began work on his debut album, Power of the Dollar. A trio of singles preceded the album’s proposed release: “Your Life’s on the Line,” “Thug Love” (featuring Destiny’s Child), and “How to Rob.” The latter generated a significant buzz, attracting a lot of attention for its baiting lyrics, which detail how 50 Cent would rob specific big-name rappers. This willingness to rap openly and brashly and the attention it attracted came back to haunt him, nevertheless. His initial post-success brush with death came shortly soon after the release of “How to Rob,” when he was stabbed at the Hit Factory studio on West 54th Street in Manhattan. Shortly afterward came his most storied incident. On May 24, 2000, just before Columbia was set to release Power of the Dollar, an assassin attempted to take 50 Cent’s life on 161st Street in Jamaica, Queens (near where Jam Master Jay would later be fatally shot two and half years later), shooting him nine times having a 9mm pistol though the rapper sat helpless inside the passenger seat of a vehicle. 1 shot pierced his cheek, an additional his hand, along with the seven other people his legs and thighs, however he survived, barely. Even so, Columbia wanted absolutely nothing to complete with 50 Cent when they heard the news, shelving Power of the Dollar and parting techniques with thenow-controversial rapper.

50 cent tattoos

During the subsequent two years, 50 Cent returned towards the rap underground where he began. He formed a collective (G-Unit, which also featured Lloyd Banks and Tony Yayo), worked closely with producer Sha Money XL (who had also been signed to JMJ around the same time that 50 Cent had), and began churning out mixtapes (selections from which were later compiled on Guess Who’s Back? in 2002). These mixtape recordings (a lot of of which had been hosted by DJ Whoo Kid on CDs for example No Mercy, No Fear and Automatic Gunfire), earned the rapper an esteemed reputation on the streets of New York. Some of them featured 50 Cent and his G-Unit companions rapping over well-liked beats, other people mocked well-liked rappers (namely Ja Rule, who quickly became an arch-rival), and a few discussed his shooting. This constant mixtape presence throughout 2000-2002 garnered market attention too as street esteem, particularly when Eminem declared on a radio show his admiration for 50 Cent. A bidding war ensued, driving up the signing cost into the million-plus figures within the approach and slowly moving the rapper into the up-and-coming spotlight once once more as word spread. Despite the bidding war, Eminem indeed got his man, signing 50 Cent to a joint handle Shady/Aftermath — the former label Em’s, the latter Dr. Dre’s. Through the successive months, 50 Cent worked closely with Eminem and Dre, who were each credited as executive produced on his upcoming debut, Get Rich or Die Tryin’, each and every of them producing some tracks for the very awaited album. Before Get Wealthy dropped, though, Eminem debuted 50 Cent on the 8 Mile soundtrack. The song “Wanksta,” previously released on the No Mercy, No Fear mixtape, became a runaway hit in late 2002, setting the stage for “In da Club,” the Dre-produced lead single from Get Wealthy. The two singles became sizable crossover hits — the former peaking at number 13 on Billboard’s Hot 100 chart, the latter at number 1 — and Interscope (Shady/Aftermath’s parent enterprise) consequently had to move up Get Rich’s release date to combat bootlegging.his body has many tattoos,do you know 50 cent tattoos ?

Amid all this, 50 Cent made headlines repeatedly. Most notably, he was tied to Jam Master Jay’s shooting in October 2002, the F.B.I.’s investigation of Murder Inc’s relationship to former drug dealer Kenneth “Supreme” McGriff, plus a shooting incident in the offices of Violator Management. Furthermore, he produced far more headlines when he was jailed on New Year’s Eve 2002 for gun possession. The media recounted his life story ad nauseam, particularly his storied brush with death — and not just the expected media outlets like MTV — even such unlikely mainstream publications as The New York Times ran function stories (“Amid Considerably Anticipation, a Rapper Makes a Debut”). By the time Get Wealthy finally streeted on February 6, 2003, 50 Cent had become one of the most discussed figure within the music business, and bootlegged or not, his initial sales figures reflected this (a record-breaking 872,000 units moved in 5 days, the best-selling debut album due to the fact SoundScan began its tracking system in Might 1991), as did his omnipresence in the media. Late within the year, following another round of well-liked hits, “21 Questions” (which charted number 1 on the Hot 100) and “P.I.M.P.” (number three), 50 Cent produced his group debut with G-Unit, Beg for Mercy. The album charted at number two and spawned a couple Top 15 hits, “Stunt 101” and “Wanna Get to Know You.” In 2004, 50 Cent stayed on the sidelines for probably the most component as G-Unit affiliates Lloyd Banks and Young Buck released preferred solo albums. A further G-Unit affiliate, the Game, released his debut in January 2005, and it proved essentially the most prosperous among these solo spin-offs, in certain the singles “How We Do” and “Love It or Hate It,” each Leading 5 hits that prominently featured 50 Cent. As these singles had been riding high on the charts, on the other hand, 50 Cent and the Game were feuding, and the latter was acrimoniously booted out of G-Unit. There were also feuds with Fat Joe and Jadakiss (instigated by the song “Piggy Bank”) throughout the run-up to the March 2005 release of The Massacre, 50 Cent’s second album. Almost as common as Get Rich or Die Tryin’, The Massacre debuted at number 1, sold millions (over ten million worldwide), and spawned a series of smash hits (“Disco Inferno,” “Candy Shop,” “Just a Lil Bit”).

By this point in time, 50 Cent’s fame overshadowed his music, thereby predicating “street” credibility issues that would haunt him inside the years to follow. As an example, the advertising and marketing rollout of The Massacre carried over into ventures such as the video game 50 Cent: Bulletproof, the semi-autobiographical film Get Wealthy or Die Tryin’, and the soundtrack to that film — all released in 2005, together with other product. The fallout from 50 Cent’s overexposure was evident via the singles from the film soundtrack (“Hustler’s Ambition,” “Window Shopper,” “Best Friend,” “Have a Party”), which failed to gain a lot traction in the marketplace, charting modestly relative to past singles. The subsequent round of G-Unit solo releases (Tony Yayo’s Thoughts of a Predicate Felon, 2005; Mobb Deep’s Blood Cash, 2005; Lloyd Banks’ Rotten Apple, 2006; Young Buck’s Buck the World, 2007) did not perform commercially nicely, either, and it’s wasn’t entirely surprising when plans for yet another, Olivia’s Behind Closed Doors, had been shelved. The grim outlook did not bode nicely for 50 Cent’s next album, which was pushed back repeatedly and retitled a couple times. The final title, Curtis, was inspired by however an additional feud, this one with Cam’ron, who taunted 50 Cent, somewhat oddly, by addressing him by his born name. After a pair of lead singles, “Straight towards the Bank” and “Amusement Park,” failed to connect within the marketplace, Curtis was reworked one final time and pushed back from a summer release date to a fall 1 (i.e., the memorable date September 11, which — to the glee of market observers — pitted the album against Kanye West’s Graduation). A second round of singles, “I Get Money” and “Ayo Technology,” was released inside the latter half of the summer, while the video for a fifth single, “Follow My Lead,” was leaked towards the Net — to the frustration of 50 Cent, who reportedly cursed out Interscope for endangering the commercial prospects of his album — over a month prior to street date. ~ Jason Birchmeier, Rovi